We don’t believe in services – we believe in excellence.

Digital Film Central operates at the highest echelon of picture finishing and post production. Whatever stage you are at be it prep, shoot, or post we have the people, tools, and ideas that will help you realize the full potential of your project.

We are passionate about making your content stand out from the crowd – from designing a unique look for your film to managing texture across different acquisition formats. And with a dedicated R&D team working on the next generation of optimization and workflow tools, we are standing-by to solve any problem that might arise on your production.

Whether bringing your vision to life on the big screen or developing market-leading imaging software, our goal remains the same – to create spectacular pictures for our clients.
 

Expertise:

  • Color Grading
  • VFX I/O and Integration
  • Digital Intermediate
  • Digital Cinema Mastering (DCP/DCDM)
  • LTO Backup & Restore
  • Custom Workflow Design

 

Our key systems include:

  • State-of-the-art theatre w. Christie® CP2220 Projection
  • Baselight® Digital Color Grading System
  • 5K, 4K, 2K & HD color correction
  • Unlimited primary and secondary grades
  • Truelight® Color Management System
  • Perfect color w. Photo Research and Klein meters
  • ARRISCAN® 35mm & 16mm Film Scanner
  • ARRILASER® 35mm Film Recorder
  • Davinci® Resolve
  • Dark Energy Image Optimization Toolset
  • Sony SRW5500 HDCAM-SR Video Mastering
  • Codex® Digital Production / Dailes System

 

Our passion is developing innovative workflows that achieve spectacular results.

With each project we aim to strike a balance between the technical and the creative aspects. We strive to elevate the creative process and celebrate technological advancements. Here is a look at some of the projects we have had the fortune of working on.

 

The Good Son

St Sophia, LLC
Director: Jesse James Miller  |   DP: Ian Kerr CSC
Colorist: Andrea Chlebak  |   Shot On: RED ONE, Mixed Archival  

 

Becoming Redwood

StoryLab Productions
Director: Jesse James Miller  |   Cinematographer: David Crone
Colorist: Andrea Chlebak  |  Shot on: RED ONE (MX)

 

In Their Skin

Sepia Films
Director: Jeremy Power Regimbal  |  Cinematographer: Norm Li  CSC
Colorist: Andrea Chlebak  |  Shot on: RED ONE (MX)

 

Arctic Air

CBC / Omni Film Productions
Executive Producer/Director: Gary Harvey  |  DP: Bruce Worrall CSC
Colorist: Andrea Chlebak  | Shot on: RED ONE (MX)

 

Facing Ali

Lionsgate Entertainment |  Network Films |  Spike TV
Director: Pete McCormack |  Cinematographer: Ian Kerr CSC
Colorist: Andrea Chlebak  |  Shot on:  RED ONE, Mixed Archival

 

Tucker & Dale vs Evil

Magnet Releasing | Filmaka | Voltage Pictures
Director: Eli Craig  |  DP: David Geddes ASC, CSC
Colorist: Andrea Chlebak  |   Shot on: RED ONE

 

Raw Camera Footage
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Freezer Burn: The Invasion of Laxdale

Panacea Entertainment
Director: Grant Harvey  |   DP: John Spooner
Colorist: Andrea Chlebak  |   Shot On: Panavision Genesis

  • The Good Son

    The Good Son

  • Becoming Redwood

    Becoming Redwood

  • In Their Skin

    In Their Skin

  • Arctic Air

    Arctic Air

  • Facing Ali

    Facing Ali

  • Tucker & Dale vs Evil

    Tucker & Dale vs Evil

  • Freezer Burn

    Freezer Burn

Credits: 1999 – 2013

We love film. We want to be a part of yours.

 

Digital Film Central Inc.
Suite 200 – 177 West 7th Ave.
Vancouver, B.C.
V5Y 1L8 Canada

Phone   +1.604.879.5800
Fax        +1.604.879.5811

Email

Hours of Operation:
9:00AM – 6:00PM
Pacific Time / North America
GMT -8 Hours